"Future Music [In Three Movements] - Second Movement" (1995)
"Future Music" was composed in 1995. The score, printed at the bottom of this page, is a simple written text of instructions. It was originally structured to be performed in a traditional theater situation, although parts 2 and 3 take place outside of that situation.
The version of "Future Music" that appears here is the third time this piece has been performed. It was presented during "Nothing To It" on Saturday, May 3, 2008 at the Lyndall Finley Wortham Theatre of the University of Houston and was presented by the Cynthia Woods Mitchell Center for the Arts. Like the two other prior performances of "Future Music," a postcard was included in the evening's program (pictured below) which was given to each audience member which read:
"Using the front of this postcard, describe very briefly a sound you hear on Sunday, May 4, 2008 at 5:10 p.m. CST On the front of this postcard, please state you location a the moment you observe this sound (street address, etc.) and return the card to The Art Guys. These descriptions of sounds will be posted on The Art Guys' website TheArtGuys.com after June 1, 2008."
click on the image above
Below is a map of "Future Music [In Three Movements] - Second Movement" as experienced by 29 audience members at 5:10 p.m., CST on Sunday, May 4, 2008. It's a selection of descriptions of sounds in and around Houston at that moment. Please click on the numbers to view the postcard submitted from that approximate location. The postcards are numbered arbitrarily with no significance except as identifiers.
When listeners first consider the second movement of "Future Music," they think ahead to the prescribed time in which to listen and therefore think of sounds in the future. During the prescribed time of listening, they are then made aware of sound in the present. And finally, as presented here, the piece is completed after the prescribed time of listening has long past. So, in fact, it’s not music of the future at all, but music of the future first, present second, and lastly, the past. It’s about time. In some respects it's about time in reverse as well as how it is normally perceived. And in this way, it gets to the very essence of music – a phenomenon of time, space and sound.
"Future Music" is dedicated to Scott Sommers, one of Houston's leading supporters of experimental music and whose program on KPFT – The Avant Garde – was the headquarters for experimental music in Houston for more than 25 years.
"What is most invigorating for me is music that is not yet written. I want something that I do not yet know." - John Cage